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2025-01-09

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exp World Holdings CEO Glenn Sanford sells $691,794 in stock

Nvidia ( NVDA ) easily beat analyst estimates in its fiscal third-quarter report. Revenue of $35.1 billion was up 94% from the year-earlier quarter and 17% from the second quarter. Earnings per share of 78 cents more than doubled (up 111%) from a year earlier. 💰💸 Don’t miss the move: SIGN UP for TheStreet’s FREE Daily newsletter 💰💸 And the revenue for the period exceeded Nvidia's total revenue in fiscal 2023. Related: Goldman Sachs analyst leads Nvidia price target overhauls after earnings Fiscal-fourth-quarter guidance, meanwhile, was decent, too. Revenue is projected at $37.5 billion, plus or minus 2%, which would be up about 70% from a year earlier. Gross-profit margin was pegged at roughly 73%. But the shares didn't move much, ending the week down slightly and down 7.1% since they hit a record $152.89 on Nov. 21, a day after its earnings report. The shares are still up 187% for 2024, third-best among stocks in the Standard & Poor's 500 index after Vistra Corp. ( VST ) and data-analytics company Palantir ( PLTR ) . And, of course, Nvidia is the world's most valuable company, with a market capitalization of $3.476 trillion, just ahead of Apple's ( AAPL ) $3.475 trillion. Analysts remain bullish on the stock and ignored the price action after the earnings came out. Price targets range as high as $220. Bloomberg/Getty Images Here are five things to think about Nvidia since the earnings report. What happened to the stock price? The earnings report was fine, but the results and the fourth-quarter guidance did not take investors' breath away. Still, Nvidia remains the dominant player in the development of computer chips, related hardware and the software systems to make artificial intelligence work. AI is basically Nvidia's data-center business, and data center is 78% of Nvidia's total revenue. Its market share is estimated at 80%, and no competitor is close to matching Nvidia's size and capabilities. Is Nvidia growing too fast? Colette Kress, Nvidia's chief financial officer, says the company is "supply-constrained." That's a different way of saying it's growing as fast it can. The problem is demand for its graphic processing units is growing much faster right now. Companies such as Microsoft ( MSFT ) , Meta Platforms ( META ) , Google-parent Alphabet ( GOOGL ) and Tesla ( TSLA ) want as many Hopper GPUs (the current generation GPUs) and the new, state-of-art Blackwell units (with 208 billion transistors per unit) as they can get their hands on. Nvidia concedes that perhaps as much as 40% of sales go to four customers it doesn't name. The hope is that supply will grow more quickly over the next year. The Hopper units cost $20,000 to $40,000. The Blackwell units are priced around $60,000. More Tech Stocks: Can't Nvidia just build more factories? Not exactly. It designs its products and contracts with Taiwan Semiconductor TSM to make them. TSM has foundries mostly in Taiwan. It also has foundries in Singapore, Washington State and Phoenix, Ariz. It is building two more in Arizona. What's the key to making the chips work? Suppliers provide connectors and other products that all get tied together in a GPU. It also develops the software to make it all work. If the software were a stand-alone business, it might be generating $1 billion to $2 billion a year in revenue. Related: Google analysts sent scrambling by startling break-up news How did Nvidia start? By making chips used for games. As the graphics for games got more complex, it developed the hardware and software to thrill gamers. That led to AI. Its first GPU was the GeForce 256, released in 1999, used in games. It had only 17 million transistors. Nvidia concentrates on four segments: data centers, gaming, professional visualization, and automotive. Is there something we all must learn about artificial intelligence? Yes. Know what "inference" means. An AI computer is loaded with huge amounts of data. The machine is then trained to organize the data to enable it to make sense of new data it hasn't seen before. As humans do. The process is called inference. Related: Veteran fund manager sees world of pain coming for stocks

Las Vegas quarterback Gardner Minshew is out for the season due to a broken collarbone, head coach Antonio Pierce confirmed on Monday, leaving the Raiders with a short week to determine their starter. Minshew suffered the injury when he was sacked and landed on his left shoulder late in the fourth quarter of Las Vegas' 29-19 home loss to the Denver Broncos. Former starter Aidan O'Connell, who was sidelined by a thumb injury in Week 7, could return off injured reserve in time for the Raiders (2-9) to face the two-time reigning Super Bowl champion Chiefs (10-1) on Friday in Kansas City. "We'll see if Aidan is good to go," Pierce said. "He's been ramping up." O'Connell entered the 21-day practice window on Monday as the Raiders determine when to activate him. "Seeing him able to grip the ball comfortable, hopefully, no pain there, and just being able to be efficient," Pierce said. "To put a player out there that's hurting or injured still, that's not to the benefit of the player or our team." O'Connell, 26, has played in four games this season, starting two (both losses). He is 52 of 82 (63.4 percent) for 455 yards, two touchdowns and two interceptions. As a rookie last season, O'Connell started 10 of 11 games, going 5-5, and completed 213 of 343 passes (62.1 percent) for 2,218 yards, 12 TDs and seven interceptions. The Raiders selected O'Connell in the fourth round of the 2023 NFL Draft. "Obviously at the quarterback position, you've got to be smart," Pierce said. "I think with Aidan, his future's much brighter looking ahead. ... I'll have to really rely on our doctors and medical staff." Desmond Ridder replaced Minshew and went 5 of 10 for 64 yards. Ridder, 25, has appeared in three games this season for Las Vegas and is 16 of 26 (61.5 percent) for 138 yards and one TD. Ridder played the previous two seasons for the Atlanta Falcons, who selected him in the third round of the 2022 draft. For his career, he is 338 of 529 (63.9 percent) for 3,682 yards, 15 TDs and 12 interceptions in 22 games (17 starts, 8-9 record). Minshew, 28, completed 25 of 42 passes for 230 yards with one touchdown and one interception against the Broncos. He finished his first season with the Raiders with 2,013 yards, nine TDs and 10 picks on 66.3 percent passing. He joined the Raiders in free agency after stints in Jacksonville (2019-20), Philadelphia (2021-22) and Indianapolis (2023) and won the starting job in camp. But he was benched multiple times for O'Connell as the Raiders struggled as a team. --Field Level Media

“Ora et Labora” – Pray and Work (St. Benedict) Nigeria, a nation brimming with vibrant cultures and traditions, is also known for its deep religiosity. Faith plays a central role in the lives of many Nigerians, influencing everything from daily routines to political discourse. But is there a line between genuine devotion and being “over-religious”? The signs are often debated: public displays of piety, fervent pronouncements, and a tendency to attribute both success and failure to divine intervention. Critics argue this fosters a culture of blind faith, stifling critical thinking and enabling exploitation by religious leaders. They point to the proliferation of prosperity gospel churches and the rise in religiously motivated violence as evidence of faith gone astray. However, proponents argue that faith provides a moral compass, community support, and hope in a challenging environment. They see expressions of faith as a natural outpouring of deep-seated beliefs and a source of strength in the face of adversity. The reality is likely more nuanced. Nigeria’s religious landscape is diverse, with Christianity, Islam, and traditional beliefs coexisting, sometimes harmoniously, sometimes in tension. While some may indeed use religion for personal gain or to justify harmful actions, many others find solace, guidance, and a sense of belonging in their faith. So, in 2016, I originally wrote this essay titled...When we ate rice once in a while. Over the week my friend Ohonusi Samuel shared the story which forms my admonition for this week...he tells a narrative about his friend...I have made a few additions. My CEO friend runs a successful Nigerian mining concern, and operates a quarry in a remote part of Ogun state, Nigeria. He had taken me there in the early phases of prospecting and investment analysis. The site was motorable up to a point. Along the way, we saw primary schools that had been established by the late visionary, Chief Obafemi Awolowo, way back... Give it to him, Awolowo did try for his people! (In those days, they all tried for their people, whether it was Ahmadu Bello, or Azikiwe...the question still remain till date where did we get it wrong? or maybe we were never right...but I recall very well then we ate rice only during Christmas, and special occasions). We parked his SUV up to the motorable limits and waded through thick tropical brushes, bamboo forests and rough slopes to the project site. We were dressed for the occasion. I took time to give you this detail because you cannot describe my disbelief to get there to find a Chinese company operating a massive quarry in that extrasolar environment! They worked and sweated 24/7. There were heaps of finished stones waiting to be evacuated to customer sites. The Chinese, by design, have abnormal testosterone levels! As we made it back to the bustling city of Lagos, we stopped by a ‘mamaput’ restaurant close to the massive Redeemed Camp, a religious camping facility stretching several kilometers length and breadth. Nothing yet invented by man compares to a hot-pounded yam with egusi soup decorated with assorted ‘obstacles,’ after a bush trip. In between swallows, I said to my colleague, “I still haven’t gotten over the shock of seeing the Chinese in those god-forsaken bushes!” That was when he blurted out a marble-worthy quote I won’t forget in my entrepreneurial lifetime. Said he, “While the Chinese and Lebanese are in our bushes picking millions of dollars every day, fellow Nigerians are in religious camps shouting, ‘Oluwa dide, Oluwa gbo, Oluwa gba ogo!’ Meaning: God arise...God listen... And I wondered which “god” we were talking about, is it the god on the Plateau that we keep fighting for and on behalf of while the same stones are moved out of the Wase axis of the state by the same Chinese? We are a nation where the government has to explain the rationale of giving or not giving concessions to persons going to pray to “their gods” and citizens are bothered that if it was done for faith A, then why the noise of faith B? This is the country of plenty parties, the sweet life, loud music, order in disorder, we cry about of dollars expended on getting us rice to eat, like that is the only staple or cheapest food...alas the truth remains that while wealth abounds all around us, we are either Boko-ing ourselves or avenging some haram done to the Niger Delta region. Things were better when we ate rice with those eye-popping beef on Sallah, it was the era when Christians could not wait for the Eid to come because we would see the Ram-fights, and partake of the ‘kaza’ (meat). They were the good times, no one thought or was afraid of Islamization. I dare remind us that then China was a pariah nation. We suddenly started killing ourselves, we got it all messed up, or maybe we never even got it right, the years rolled by, and Nigeria, the nation where the problem wasn’t the money but how to spend it, could not even produce a light bulb, was importing pencils and pens with which her leaders stole them dry in all sort of manners. It was the days of Nigeria Airways, the good old Nigerian Railways that owed salaries only compared to its equally old Daily Times, then we ate rice only once in a while but what happened, the Chinese came and if they were not repairing or building new railroads for us, they were now bringing made by prisoners in China ‘adire’ (Yoruba fabric) for us. We even started teaching Chinese in some of our schools, everyone was and is leaving Nigeria and we are still shouting and asking God to arise and let His enemies to scatter when indeed we are our enemies, we are the same people denying ourselves greatness by both our actions and inactions. We have taken religion to a new nauseating high, while we are a people bent on self-destruction, and ever-increasing hate ratio. We are only united by our mutual desire for rice, and ‘god’, but divided on who wants to work for it, who should work, whether we should be working. We still are dependent on everyone but ourselves for everything and most things, the sad reality is we remain the goldmine; we remain the great potential that could have been great. We remain unsure what we want whether regionalism, tax reforms, restructuring, we do not know whether state and religion are one and the same of differently the same, when stealing is not corruption, padding is neither, we keep soldiering on, praying with the same lips we lie with, until we know that there is no food for lazy man and resort to working out the true Nigerian spirit, will prayers without work achieve anything? Only time will tell, and may Nigeria work, may Nigeria win.

Shock moment TODDLER is freed from jail by Syria’s rebels as thousands walk free from ousted Assad’s notorious prisonsMavericks bounce back to earn three points on trip

RCMP has 'contingency plans' to bolster the Canada-U.S. border — but here's what it says it still needs from the Trudeau governmentGROWING COMMUNITY BLTX is the collective labor of several groups that comprise its core organizers, some of them represented in this photo. They include independent presses and art collectives like Gantala Press, Magpies Press, Makò Micro-Press; Studio Soup Zine Library, and Paper Trail Projects. The number of participants has since grown since the first staging in 2009. —BLTX/Instagram (@Xeroxography) MANILA, Philippines — “Art isn’t easy—have to keep things in scale, have to hold to your vision,” goes the lyric by Broadway composer Stephen Sondheim. True enough, for many artists, forging a path toward genuine artistic freedom and expression is a struggle that involves more than just creating and showcasing their work. The reality of cultural production in the Philippines is fraught with problems and the same age-old questions: What kinds of value does art provide in society and culture? Who gets to decide such value, and why? Who gets to create and access art? Who gets to have their works published or exhibited, and what rewards are there in making them—if there is even one? Better Living Through Xeroxography (BLTX) is a yearly small press fair founded at a time when younger writers, writers who did not write in English, and writers without “padrinos” had scant or zero access to publishing avenues compared to, say, older established writers, and writers in the mainstream. “It started as a manifesto on literary patricide,” said cofounder Adam David in an email interview. He does not mean patricide as those that occur in stories, like Oedipus killing his own father, though the concept also comes to mind. What David means is “metaphorically [killing] padrinos” by way of empowering younger writers to “wantonly [publish] themselves and their peers without anyone else’s blessings or permissions.” BLTX’s goals remain the same since its first staging in 2009: artistic autonomy in the production and distribution of one’s own work, where creators are free to “define the cultural and economic value of their work in their own terms,” which extends to “the ethics of their and their community’s art practice.” For proponents of BLTX, this means embracing the principles and practice of small, independent (or “indie”), and do-it-yourself (DIY) production where the process of producing a work—from conceptualization and production to distribution and promotion—is “free from interference or support from institutions... as far away from the profit motive as one can get.” To produce works independently means creating outside the need for mere profit or against the market logic of “bigger is better.” For David, it means creating conditions where a writer or an artist is free to explore any subject, experiment in different formats, write in different languages, and address the concerns of communities creatives often neglect, “like farmers, nurses, migrant workers, survivors of extrajudicial killings, sadly among many, many, many others.” What first started as an expo at a videoke bar in Project 4, Cubao, has now gone regional with past stagings at La Union (which they have termed “BLuTX”), Davao, Naga, Cagayan de Oro, and Baguio. It has served various communities in these localities and wherever their “methods and perspectives are helpful,” including numerous advocacies as well as communities of women and LGBTQIA+. By principle, BLTX is organized “cheaply”: The workshops and forums are free, and table rentals for the expo where artists get to sell or trade their works (usually zines, stickers, printed shirts, and other DIY stuff) range from P300 to P500, just enough to cover costs like the rent of the venue (which for recent installations of BLTX have been in Sikat Studio, Tomas Morato, Quezon City) and other reimbursements like printed event posters and materials for making coffee. THE HUB WITH RIGHT VIBE Individual artists, collectives, and independent publishers have found the environment they need at BLTX, a yearly fair in Quezon City where they can promote and sell their works, and also explore opportunities for collaboration with fellow creatives and entrepreneurs. The expo offers a free taste of the works of upcoming talents. —BLTX/Instagram (@Xeroxography) “The one community BLTX has served through the years is the ever-emerging community of independent small-scale creators, all of us lifers and amateurs and hobbyists and late bloomers and child prodigies and idiot savants and weirdos all around trying to make artistic fire happen by rubbing two beinte-cincos together,” said David. “[BLTX] reminded people that writing and publishing are not exclusive to people who come from or have access to certain institutions,” he added, “that anyone can do it.” Collaboration is also central to making BLTX happen. Staying true to its commitments of going small-scale and independent, the annual expo, which over the years has included workshops, forums, and even a library, is collaboratively organized with other small and independent presses with diverse but interconnected persuasions. David mentioned that nearly half a dozen groups currently organize the expo, with over a dozen having participated since its inception. These include Gantala Press, an independent, nonprofit, volunteer-run Filipina feminist press; Magpies Press, an artist collective that explores collaborative independent zine publishing; Makò Micro-Press, a radical group of DIY artists; Studio Soup Zine Library, a small distro and archive in Manila; and Paper Trail Projects, the small press and shoestring operation founded by David and Conchitina Cruz. “We are all volunteers so we don’t get paid,” he said. “We always make efforts to be transparent about all this information, but this year we made even stronger efforts to be even more transparent to the first-timers about all this information, hoping they become emboldened and empowered enough to start doing happenings themselves.” ‘DIYFEND’ Zines have been an avenue to address the concerns of specific communities, particularly the marginalized sectors, and a tool for pushing social advocacies. ——BLTX/Instagram (@Xeroxography) David observed that since the beginning of the COVID-19 pandemic, a lot of people have taken on DIY arts and crafts and creativity as therapy to cope. This has yielded “a burgeoning community of artists and artisans [who] were all lying in wait looking for spaces to continue producing and selling their work,” especially once the lockdowns and quarantines ceased. Finding an opportunity to tap into this “mother lode of revenue,” art markets started to pop up all over the country. According to David, “After confirming the richness of this mother lode, the art markets predictably proceeded to follow market logic: They became abusive and raised [their] table rental prices and spread even farther and wider.” This was why, in February this year, BLTX was staged for first-timers. “We wanted to remind even just a small portion of these new, mostly young artists and artisans that, much like how they started their art practice during the pandemic, they can also organize themselves and their own happenings cheaply, without the need to abuse anybody,” David said. For individuals like Shekynah Samadan, BLTX “was like Christmas.” She recalls saving up lunch money so she could support her favorite writers and artists, who she also gets to know and talk to, and buy from new ones she meets at the expo. Now, she co-organizes BLTX as comanager of Studio Soup Zine Library and saves money from her salary so that she can not only buy works but also create her own to sell or trade. “Now that I’m part of the organizers of BLTX, I’m still as excited as I was back when I first found out there’s this type of event that happens in the country,” she said. “It was unlike the art markets that I knew back then. It was a bazaar that upheld pure DIY publishing where the main focus was creative writing and putting your work out there in a physical form.” ‘CHEAP’ EVENT Recent editions of BLTX were held at Sikat Studio, beside Popular Bookstore on Tomas Morato Avenue, Quezon City. —BLTX/Instagram (@Xeroxography) This year—which also marks the expo’s 15th year—was about slowly receding the roles of older organizers so that younger ones get to step in. David explains that this is because BLTX needs to be “replenished” with “genuinely new ideas and concerns coming from new people.” He shared that organizers have “stabilized with more younger individuals with fresh perspectives on the old problems and also looking toward history to help solve emergent problems.” Yet the politics and practice of small-scale, DIY, and independent publishing need not start and end with BLTX. “I hope that many young artists and writers develop the urge to organize and create more events like [BLTX] in our country,” said Samadan. “Never be afraid to create and take up space, and do it with a sense of community care in mind,” she added. When asked what she has to say to artists, writers, and even just those inclined, Samadan said to “embrace the mistakes you make when self-publishing, be as welcoming as you wish to be, but defy just as much. And, lastly, make your own BLTX.” As BLTX looks to the future, it plans to do fewer expos and more forums and workshops. Nevertheless, BLTX remains headstrong in its commitment to exist in spaces “far if not free from market’s reach,” where it gets to reevaluate the value of art and its practice “in an industry increasingly redefining and narrowing the meaning of the words ‘independent’ and ‘artist.’” Check out more of their important work and goings-on by visiting their Instagram (@xeroxography) and Facebook page (https://www.facebook.com/xeroxography/). Subscribe to our daily newsletter By providing an email address. I agree to the Terms of Use and acknowledge that I have read the Privacy Policy . Sources: Inquirer Archives, Makò Micro-Press Facebook page, Magpies Facebook page, BLTX Instagram page, gantalapress.org, papertrailprojects.com, studiosouplibrary.wordpress.com

PHILADELPHIA — A.J. Brown usually doesn’t talk until Friday, but he knew that wasn’t going to fly ahead of the Eagles’ Week 15 game against the Pittsburgh Steelers. Not after injured teammate Brandon Graham said the receiver had a problem with quarterback Jalen Hurts. Not when the Eagles are 11-2 and riding a nine-game winning streak that so many fear could be derailed by an unexpected controversy.President of Oakland City Council, Nikki Fortunato Bas, Declares Victory In County Race, Complicating Mayoral Transition

Las Vegas quarterback Gardner Minshew is out for the season due to a broken collarbone, head coach Antonio Pierce confirmed on Monday, leaving the Raiders with a short week to determine their starter. Minshew suffered the injury when he was sacked and landed on his left shoulder late in the fourth quarter of Las Vegas' 29-19 home loss to the Denver Broncos. Former starter Aidan O'Connell, who was sidelined by a thumb injury in Week 7, could return off injured reserve in time for the Raiders (2-9) to face the two-time reigning Super Bowl champion Chiefs (10-1) on Friday in Kansas City. "We'll see if Aidan is good to go," Pierce said. "He's been ramping up." O'Connell entered the 21-day practice window on Monday as the Raiders determine when to activate him. "Seeing him able to grip the ball comfortable, hopefully, no pain there, and just being able to be efficient," Pierce said. "To put a player out there that's hurting or injured still, that's not to the benefit of the player or our team." O'Connell, 26, has played in four games this season, starting two (both losses). He is 52 of 82 (63.4 percent) for 455 yards, two touchdowns and two interceptions. As a rookie last season, O'Connell started 10 of 11 games, going 5-5, and completed 213 of 343 passes (62.1 percent) for 2,218 yards, 12 TDs and seven interceptions. The Raiders selected O'Connell in the fourth round of the 2023 NFL Draft. "Obviously at the quarterback position, you've got to be smart," Pierce said. "I think with Aidan, his future's much brighter looking ahead. ... I'll have to really rely on our doctors and medical staff." Desmond Ridder replaced Minshew and went 5 of 10 for 64 yards. Ridder, 25, has appeared in three games this season for Las Vegas and is 16 of 26 (61.5 percent) for 138 yards and one TD. Ridder played the previous two seasons for the Atlanta Falcons, who selected him in the third round of the 2022 draft. For his career, he is 338 of 529 (63.9 percent) for 3,682 yards, 15 TDs and 12 interceptions in 22 games (17 starts, 8-9 record). Minshew, 28, completed 25 of 42 passes for 230 yards with one touchdown and one interception against the Broncos. He finished his first season with the Raiders with 2,013 yards, nine TDs and 10 picks on 66.3 percent passing. He joined the Raiders in free agency after stints in Jacksonville (2019-20), Philadelphia (2021-22) and Indianapolis (2023) and won the starting job in camp. But he was benched multiple times for O'Connell as the Raiders struggled as a team. --Field Level MediaThe closer a Prince Rupert woman looked at the deer in her yard, the stranger things became for her. “It was the first time I’ve seen anything like that; it was pretty bizarre,” said Joan Dudoward. Dudoward is a senior residing on 11th Avenue East in Prince Rupert. A flash of movement caught her eye as she scrubbed her breakfast plates on a typical Wednesday morning. Peeking out the window above her sink, she gasped— a majestic buck with massive antlers stood gracefully in her yard. “As soon as I noticed the huge buck, I ran and grabbed my camera to photograph it. I’ve been taking photos since I was a teenager...I photograph everything,” she said. She says he cozied up to lie on the grass and stayed for about half an hour. “He was wiggling his ears so I zoomed in and noticed a tag clipped on him,” she said. “I thought, why is this dear clipped? I got very concerned.” Dudoward, driven by her curiosity, noted that one side of the clip was labelled “BC WILDLIFE 06-529,” while the other read “CALL RAP: 877-952-7227.” It was suspicious because the number displayed is very similar but different from the official number of B.C.’s Conservation Officer Service, which is 1-877-952-7277. Also, the legitimate acronym for their hotline, Report All Poachers and Polluters, is “RAPP,” not “RAP,” as indicated on the tag. She called the number on the neon green tag to inquire about the buck, but reached a woman who spoke to her very hurriedly, she said. The woman, who identified herself as Jessica, wanted to send Dudoward a “free medical alert device” that she could wear around her neck. “We’re very excited to tell you about a special promotion for select callers,” Dudoward recalls the woman saying. She was then asked questions such as her age to check eligibility. Jessica then explained that as a senior, the device would help her in emergencies, such as falls, by alerting her immediate contacts. To proceed with delivery, she said she needed some personal information from Dudoward, such as her address. Then, Dudoward was abruptly transferred to another agent who continued the call. But when she tried to ask her about the buck and why the agency had clipped its number on his ear, they wouldn’t respond but instead continued to promote their products “That’s just cruelty to animals. They are targeting seniors for sure, and hurting the deer in the process,” said Dudoward. She wondered how they must have handled the wild animal to dart him. She questioned, “Did they sedate him? What exactly happened there?” She was absolutely shocked. Dudoward couldn’t comprehend why B.C. Wildlife, a legitimate organization, would have put this company’s number on the buck’s ear. The incident reminded her of this continued pattern of companies attempting to target elderly and vulnerable individuals. “I also have my mother’s old number, and it gets scam calls all the time,” she said. “How can they do that? Especially to seniors. They are trying to decide if they should pay the rent or get medication,” said Dudoward in frustration. She proceeded to contact the legitimate conservation officer’s number, who, like the local RCMP, didn’t pay much heed to her situation, she said. The next day, Dudoward called the agency’s number on the tag again, and the conversation took a completely different turn. Now, the agent asked if she was 18 and was promoting products aimed at youth. They informed her that she needed to pay $3 through a call paywall to proceed to the next step, during which she would be directed to the free products for which she was eligible. “The message keeps changing; this is so strange,” said Dudoward. The Northern View investigated the call and found that it was an intricately designed AI automated voice call. The system guides the caller through different phases by detecting both their spoken responses and the number keys they press. Contrary to Dudoward’s initial belief, it wasn’t a live human speaking to her, but a pre-recorded one. In fact, similar cases of fraud involving medical alert devices have happened in the U.S. before, prompting the New York State Department of State and the Minnesota Attorney General to issue cautionary alerts for consumers regarding these “robocalls.” The authorities advised seniors to immediately hang up, not press any keys when prompted, and avoid sharing personal information. “Fraud is the number one crime against older Canadians. Though people of all ages can be victims of fraud, older people get targeted more than others,” states the Canadian Government on its website. The Canadian Anti-Fraud Centre (CAFC) says that there have been 40,623 reports of fraud this year up to Oct. 31, resulting in a loss of $503 million. Vishing is a social engineering technique that uses voice communication technology. It involves fraudulent phone calls to trick the victim into revealing personal data. The CAFC advises caution during phone calls. They urge people not to hesitate to say no if something feels off and not to feel pressured by urgency or time limits. They also encourage taking enough time to research before sharing personal information. The Northern View contacted the B.C. Wildlife Federation for a comment regarding the tag on the buck. “The Conservation Officer Service darted this deer Nov. 5 to remove wires wrapped around its antlers. The tag is legitimate, but unfortunately has the wrong number on it for RAPP. The new versions of the tag have the correct number and COS will stop using these older tags,” said Jesse Zeman, executive director at B.C. Wildlife Federation. Although the exact cause of this mistake is unclear, anyone who suspects fraud should contact CAFC at 1-888-495-8501 or their local police.

The Transportation Security Administration has some reminders for those heading to airports during the holidays. “People seem to forget some of the more common and routine steps that they need to take when packing for a flight or when they are going through a checkpoint, perhaps because they’re focused on being at their destination and not focusing on what needs to happen before getting there,” said TSA officer Christopher Kirchein of John F. Kennedy International Airport. “Travelers sometimes ignore the advice that we give them,” said TeaNeisha Barker, a TSA uniformed adviser. “We are providing guidance so that they get through the checkpoint as simply and conveniently as possible. Not every airport has the same technology, so listen to the guidance we are offering.” “Passengers forget that knives and other weapons are not allowed through our checkpoints. It’s shocking to see so many people with knives,” said TSA officer Aisha Hicks of Philadelphia International Airport. “Weapons of any kind are prohibited through a TSA checkpoint.” TSA officers shared this list of the common things that travelers forget and should remember when coming to a security checkpoint. Ten things that travelers need to remember when preparing to go through the security screening process: • Remember that you cannot bring bottles of water, energy drinks, juice, coffee, soda or any filled insulated reusable container through a security checkpoint. However, they can finish their beverage and bring the empty bottle or container with them. • Remember to bring your ID to the checkpoint. • Remember when TSA officers remind you to remove everything from your pockets that it does not only mean metallic items such as keys and mobile phones, but it means everything, including non-metallic items such as tissues, lip balm, breath mints, etc. • Remember that you cannot bring a firearm through a checkpoint. Instead, pack your unloaded firearm in a locked hard-sided case and declare it at your airline check-in counter and the airline will ensure it is transported in the belly of the plane where nobody has access to it. • Remember that you need to remove your shoes when getting screened and then end up barefoot on the floor. It’s probably a good idea to wear socks. • Remember that children 12 and under are allowed to travel through a TSA PreCheck screening lane with a parent who has TSA PreCheck on their boarding pass. In addition, don’t forget that children up to the age of 18 can also come into the TSA PreCheck lane with their parent if they are on the same airline reservation as their parent. • Remember that passengers that appear 12 and under or 75 and older do not need to remove their shoes and light jacket. • Remember, if you are putting a lock on your luggage, make sure it is a TSA compatible lock so that if TSA officers need to open your luggage, they can unlock it and relock it. If the lock is not TSA compliant, TSA officers who need to open your luggage will cut off the lock, rendering it useless. • Remember that you can bring medications through a security checkpoint, even liquid medication. Just let the TSA officer know that you have liquid medication with you so it can be screened separately. • Remember to get a REAL ID-compliant driver’s license sooner rather than later because REAL ID goes into effect on May 7.FACT FOCUS: Vermont ruling does not say schools can vaccinate children without parental consent

3000 more people on the Māori electoral roll after Treaty Principles bill hīkoiCry not, North; smell the coffee and act (1)Nordson Corporation Reports Fourth Quarter and Fiscal Year 2024 Results

Formula 1 expands grid to add General Motors' Cadillac brand and new American team for 2026 season (Auto Racing)

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